Tag: 90s

Remember Your First Answering Machine?

Remember your first answering machine?

I do.

In the days when I was still watching new episodes of Thundercats, if someone called and no one was home, or if someone was home but was in the shower and did not hear the phone ring, or if they did hear it ring but were afraid of getting electrocuted by picking up the phone with a wet hand, then the phone just rang and rang until the caller got tired of hearing the phone ring and went off to do something more productive with his or her life.

Close your eyes for a moment and try to imagine what it was like not being able to record a message with your voice on it. Imagine the inconvenience. Imagine the missed opportunities. Imagine the bliss.

Answering machines were marketed upon the assumption that you wanted to receive telephone calls. But not all calls are wanted. If you don’t pick up your phone and the caller leaves a message, you have no recourse. When you don’t return the call or do what was asked, the caller can say, “Well, what you mean you didn’t return the 500 fake birds and tree branches we ordered for my baby shower? I left you a message.”  You can run, but you can’t hide.

Before answering machines, however, you could let the phone ring, and ring and ring and ring, and with each ring sense that the caller was getting tired, like a boxer hanging against the ropes in the tenth round, and would eventually go away. And when the phone stopped ringing, that was it. You could continue watching the Flintstones Meet the Jetsons or whatever, safely insulated from any constructive knowledge that you were supposed to call someone back or perhaps even do something for someone.

And then one day it all ended. They invented these machines upon which you would record a message.  I remember my band director’s answering machine played a steel drum band version of the theme from “Peanuts” that I heard about fifteen times when I tried to tell him that I was going to miss the Memorial Day parade because my cat was stuck behind the dryer.

My father’s greeting was robot-style. “I can’t come to the phone right now, but please leave your name, tel-e-phone number, and brief mes-sage after the tone. Here is the tone.” And true to his word there would be a tone.

My grandparents called leaving messages “talking into the machine” and they would shout into it as if the answering machine was hard of hearing, just like all of their neighbors at Westwood 21 in Ft. Lauderdale.

People today are so used to leaving messages that they speak onto the digital medium just as if they were talking to me in person. That is why I have no trouble ignoring them.

Thanks to Maria for the topic. She does a great treatment of it here.

Posted on by Mark Kaplowitz 0

Remember Audio Cassette Tapes?

Remember when people listened to music on cassette tapes?

I do.

The first cassette tape I ever bought was the album Appetite For Destruction by Guns ‘N’ Roses. I had never heard their music. But my friend said the band was cool and I did whatever my friends told me. After a few weeks of saving my allowance, the plastic Hess truck finally had the eight dollars I needed to buy the album in that innocent time when recorded profanity had to be bought in person.

I barely had the tape out of the cellophane when I realized that my family’s sole cassette player belonged to my father, and that this cassette player was in his car. Driving myself was not an option, as I had poor motor skills and was in the fifth grade. Listening to tunes like “Nightrain” (Wake up late/Honey put on your clothes/And take your credit card/To the liquor store), “My Michelle” (Your Daddy works in porno/Now that Mommy’s not around/She used to love her heroin/But now she’s underground), and “It’s So Easy” (Cars are crashin’ every night/I drink and drive/Everything in sight) with my father in the car next to me was a little uncomfortable at first, but soon he was whistling along just like he did to Roy Orbison.

One of the things I remember most about cassettes was making mix tapes. A mix tape was a recording of assorted songs on a blank tape, usually of different artists, and frequently made for a member of the opposite sex, or, if you were me, made just for yourself. The main character in the film High Fidelity lists a number of rules for making mix tapes. I, however, had only one rule: Arrange the songs so that I would not have to flip over the tape in the middle of a song.

With only this one rule to obey, the mood of my mix tapes was a little erratic. For example, one of my mixes started out with “Dead Souls” by Nine Inch Nails, then “Come On Eileen” by Dexy’s Midnight Runners, then Metallica’s “Blackened,” and then “Girls Just Wanna Have Fun” by Cyndi Lauper. Another one of my mix tapes opened with “Stayin’ Alive” by the Bee Gees, then the main theme from “The Marriage of Figaro” by Wolfgang Amadeus Mozart, then jumped to “Hammer Smashed Face” by Cannibal Corpse, and finally “V’Shomru” by Cantor Joseph Kanefsky. That mix was for my grandmother.

The other thing that stands out in my memory about cassettes was how they would get caught in the spokes of the tape player. I’d be pacing back and forth across the campus green, listening to The White Album over and over again instead of doing my Spanish homework, when all of a sudden Paul McCartney’s vocals on “Why Don’t We Do It In the Road” would be replaced by a loud crunching sound, and then there would be no sound but my own profanity.

Oh the humanity! I felt as if it were my arm that had been caught in the spokes, although because of the size difference only the end of my sleeve would get wound up. Try as I might to unwind the tangled tape and restore my beloved music, it almost never worked again, and even when it did the tape never sounded right. On some of the tracks it sounded like Paul was just screaming.

I no longer use cassette tapes, and even my compact discs are being featured on Antiques Roadshow. I now carry thousands of songs on my telephone. It takes seconds to arrange them in a mix, and I don’t have to flip over the phone unless I feel like drawing attention to myself. The only thing missing is the sound of cassette tape getting mauled by tape player spokes.

But I’m sure they’ve got an app for that.

Thanks to Jessica Buttram and Maria for the topic.

Posted on by Mark Kaplowitz 0

Remember Choose Your Own Adventure Books?

Remember the “Choose Your Own Adventure” series of books?

I do.

Choose Your Own Adventure was a novel series geared towards children and young adolescents.  These books were not like regular books.  First, the reader was the main character, which fancy people call the “second-person.”  An opening sentence would be something like:

“You are a world famous scientist”

“You find a satchel filled with a million dollars”

“You are born to a family of complainers”

A Choose Your Own Adventure book would begin just like a regular novel, but when at the end of the first scene, “you” would be faced with a choice between two options, or between three options if you happened to read the super deluxe version before I took it out of the library and then left it on the table at Fuddruckers.

“Go to the left (turn to page 28)” versus “Go to the right (turn to page 1,139)”

“Follow the strange man” versus “Tell the strange man you’re not allowed to drink soda during the week”

The reader was always a different character. I remember one where I got to be a monster, and another where I was a gunslinger in the Old West. I also recall one where the reader was that furry creature from the Punky Brewster cartoon, but I could just be making that up.

The first choice would lead to another scene with another choice, and on and on, such that each book had numerous endings. Some of the endings were good endings. Others were not so good. There were endings that ended in death. These were a little disturbing. There were also endings that ended ambiguously and open-ended.

“You follow Boink to the planet Cereal, and spend the rest of your harvesting Rice Krispies.”

“You commence a lawsuit in state court.”

They should have “Choose Your Own Adventure” books for adults. The characters would be appropriate for adults:

“You are always cold.”

“You are a tier-three pensioner.”

“You are one of those people who winks at everyone.”

And the choices would be adult choices:

“Arrange to get your tax refund by direct deposit” versus “Wait for the check in the mail!”

“Pay the full balance on your credit card” versus “Ignore the letter and get another credit card!”

“Go gluten-free” versus “Step in front of oncoming traffic.”

I do not think the Choose Your Own Adventure series for adults would sell very well. No adult would want to read them. The characters would be too real, the scenes too close to home, the choices too much a reminder of the difficult choices that all adults must make in life, but without the ability to turn back a single page.

That, and the fact that it would be a series of books.

Posted on by Mark Kaplowitz 0

Remember Snap Bracelets?

Remember snap bracelets (or slap bracelets if that’s what you called them)?

I do.

Snap bracelets were like the Huns. No one knew where they came from, and no one knows what happened to them, but when they were here, no one was safe.

A snap bracelet was a long strip of plastic encased in tight fabric, usually with a fancy print of brilliant color. The snap bracelet had two states – straight and curved. Both states were function of the structure of the plastic strip. When you applied pressure to the middle of the plastic strip, it would snap into a curved shape, like a bracelet, with a satisfying snapping sound.

The proper technique was to snap the snap bracelet over one’s wrist. I generally did not wear bracelets or jewelry of any kind, except a Goofy watch with hands that went counterclockwise around a reverse clock face, which I guess was really clockwise within the Goofy-watch frame of reference. But I wore these snap bracelets.

To this day I have no idea what possessed me to collect and wear snap bracelets. Perhaps it was because the snap bracelet was not just a bracelet. Perhaps I saw snap bracelets as accessories of action. Perhaps I saw the snapping action as a symbol of my own ability to snap into action whenever pressure was applied to my middle. Or perhaps it was because everyone else was wearing them.

The snap bracelets transcended gender, economic status and perceived level of coolness.  They were our armbands in an age when there was nothing for us to wear armbands for. And adults found them irritating.

I vaguely remember that some schools had banned snap bracelets because of student injuries. I don’t know what kind of snap bracelets were being peddled in those districts. The only injuries the snap bracelets in my school could cause would be a black eye from someone who was not amused by the snapping sound and bright colors. Maybe that was what happened at those schools.

At the bus stop we discussed technique for keeping the curve sharp.

“Last night I put my social studies book on top of it and left it there all night.”

“Interesting. I put mine in the freezer.”

“Why do you guys have to do that? Don’t they stay curved?”

“Obviously you haven’t been using snap bracelets that much. Can your parents not afford them?

“Shut up.”

And then one day I turned around and the snap bracelets were gone. I never got a chance to say goodbye. I don’t even remember them going out of style. The snap bracelets had just vanished into thin air, never to be seen again, except in my memories and eBay.

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Remember When Beavis and Butthead Was a Popular Show?

Do you remember Beavis and Butthead, that cartoon on MTV?

I do.

It was spring and I was in ninth grade.  A friend of mine quoted some dialogue at the lunch table one day.  I watched the show that night and thought it was the funniest thing I had ever seen in my life.  It was on at 9:00 or 10:00 p.m., I believe, and I started taping an episode every night on the VCR.  The characters spoke to me.  I too was a young man who saw the world divided into things that were cool and things that sucked.

One time my mother watched the show and forbade me from watching it anymore.  I had to watch and tape in secret.  I figured out how to tape the show without the television being on.  I would bring the tape to a friend’s house and we would watch it and laugh and I would think to myself, “This show is never going to go out of style.”

The two main characters spent a lot of time watching television.  Whenever an image of fire came on to their screen, they would shout, “Fire!  Fire!” not in alarm, but in excitement.  I too was excited by images of fire at that time.

Parents were outraged.  Educators were disappointed.  Congress got involved.  The “Fire! Fire!” got edited to “Fight!  Fight!” which did not make any sense.  Until that time I had thought censorship was something that happened only in places like the Soviet Union.  Now I knew the truth.

A few years ago while I was cleaning out some old boxes of stuff, I found my tape of Beavis and Butthead.  It was marked with a simple “BB” so that my mother would not know what it was.  I dusted off the VCR and popped in the tape.

You know something?  It was still funny.

Heh heh.  Huh huh.

Posted on by Mark Kaplowitz 0